Richard Acquaye
The researcher’s primary focus is on occupational health and safety within the healthcare domain, particularly examining workplace hazards, sustainable supply chain practices, and advancements in nanomaterials and textiles. Their key publications highlight themes such as sustainable fashion design, community engagement in textiles, and ethical considerations in sustainable manufacturing.
Faculty Biography
Richard Acquaye is an associate professor at the Department of Textile Design and Technology, Takoradi Technical University. His research and practice encompass a broader set of unorthodox ‘collaborations’ with technology, new material and colour resources to generate working designs and forms. He is a part-time lecturer at the Department of Industrial Art, Kwame Nkrumah University of Science and Technology, Kumasi. He is a fellow and chartered member of the Textile Institute, Manchester - UK.Professor Richard Acquaye had his elementary education at St Luke’s Anglican Primary School, Kwashieman – Accra, then from there to Accra Academy for his secondary education. He gained admission at the Kwame Nkrumah University of Science and Technology, Kumasi for his first degree in Bachelor of Art – Textiles. After a year of mandatory national service after the first degree, he went back to the same institution for his Master of Art Education degree. In 2013, he gained admission at the University of Southampton – United Kingdom for his PhD in Design. Apart from these, Professor Acquaye also has a Diploma in Product Design and Manufacture and certificates in Colour and Colour Properties; Dyeing and Dyestuffs; Mechanical Finishing and, Computer-Aided Designs from some world-renowned textile education providers. In September 2005, Professor Richard Acquaye was employed as a lecturer at the Department of Textile Design and Technology, Takoradi Technical University. Between, November 2008 to August 2010 he was appointed as head of department for the Department of Textile Design and Technology where he performed creditably well in uplifting the department both internally and externally. In December 2010, he was awarded best lecturer of Takoradi Technical University and was promoted to the rank of Senior Lecturer in January 2012 and then Associate Professor in March 2019. Professor Acquaye has worked on several statutory and ad-hoc committees in the University. In August 2019 he was appointed as the Dean of Faculty of Applied Arts and Technology where heinitiated and contributed towards a number of progressive projects in the Faculty. He is currently the Dean of School of Graduate Studies with an ambitious agenda for the future. Richard has attended and presented papers at a number of high profile international conferences around the world, including the ATT National Conference, Lagos – Nigeria; Global Creative Industries Conference, Hong Kong University, Hong Kong; AATCC International Conference – USA in 2011 and 2017; 17th ACASA Triennial Conference, University of Ghana, Legon – Ghana and; The Textile Institute Centenary Conference - Manchester – UK 2010. Professor Acquaye has published a number of books and articles in both international and local journals. He has also contributed towards a number of international publications including a joint UNESCO Silk Road Project Publication in 2021.He is an editor for the Textile and Fashion Review and a reviewer for the Sage Textile Research Journal and Journal of Textile Science and Technology. His textile design works have been exhibited internationally, including a joint exhibition ‘Image-Text-Object: Practices of Research’ at Level 4 Gallery, Hartley Library, Southampton in 2014 and a solo exhibition at the Winchester Gallery, Winchester-UK dubbed ‘Cultural Conversations’ in January 2018. He won a Doctoral College Grant in May 2017, for a live project – ‘Colour Retro Project’, at PGR Study Space, Winchester School of Art, University of Southampton, Southampton, United Kingdom.Professor Acquaye is the national President of Institute of Textiles and Fashion Professionals – Ghana and a Senior Member of the American Association Textile Chemist and Colourist, Raleigh – USA. He is also a member in good standing of the following professional bodies: The Textile Institute, Manchester – UK; Society for Dyers and Colourist, London – UK; Arts Council of the African Studies Association, USA; Art POWA Network, South Africa and; West African Research Association, Boston - USA. Professor Acquaye has had a range of requisite training, exposure and experiences both locally and internationally that put him in a good position for a great career as an academic.
Advanced Sensor and Energy Harvesting Materials
Agriculture and Rural Development Research
Architecture, Art, Education
Art Education and Development
Assembly Line Balancing Optimization
COVID-19 Pandemic Impacts
Crafts, Textile, and Design
Crime, Illicit Activities, and Governance
Cultural Industries and Urban Development
Dyeing and Modifying Textile Fibers
Entrepreneurship Studies and Influences
Environmental Sustainability in Business
Fashion and Cultural Textiles
Higher Education and Employability
Intellectual Property Law
Management and Organizational Studies
Microplastics and Plastic Pollution
Nanomaterials and Printing Technologies
Occupational Health and Safety Research
Sustainable Supply Chain Management
A Review of the Sustainability Strategies of Ghana’s Textile Industry through the Sociological Theory of Crime
Open AccessA review on upcycling as a strategic marketing tool for sustainability in the fashion industry
Open AccessThe Nexus Between Crime and Textiles: Exploring the Sustainability Strategies of Ghana’s Textile Industry Through the Lens of Routine Activity Theory
Systematic Review of Conductive Inks for E-textiles: Formulation, Printing Methods, Challenges, and Opportunities
Editorial – A New Era for Fashion and Textiles Review to advance scholarly literature
Open AccessCompliance towards health safety practices by students at the dyeing studio in Ghana
The influence of garment quality evaluation on fashion innovation of dressmakers in Ghana
Recent Progress to Address the Challenges of Conductive Inks for E-Textiles
Open AccessA systematic review of work-related health problems of factory workers in the textile and fashion industry
Open AccessEthical Dimensions in Sustainable Fashion Design Practice: Analysis of the Garment Industry in Ghana
Sustainable Fashion Promotion: Assessment of Waste Generation and Management in Ghana’s Garment Industry
A Network Review Analysis of Textile-Based Triboelectric Nanogenerators as an Energy Source for Wearable Devices
A Comparative Study of Printed Fabric Product Lines and Design Concepts of Texstyle Ghana Limited
Open AccessSemiotics of Factory Printed Wax Prints across West Africa
Open AccessSustainable traditional natural dyeing practice in Daboya and Ntonso communities of Ghana
A Review of Circular Fashion and Bio-based Materials in the Fashion Industry
Open AccessConsumer attitude and disposal behaviour to second-hand clothing in Ghana
Open AccessAnalysis of Design Concepts: A Comparative Study of Pre- And Post- 2000 Printed Fabrics of Textile Printing Companies in Ghana
Open AccessPromotion and Preservation of Indigenous Textiles and Culture in Ghana
Open AccessThe “Authenticity Discourse” in Contemporary Application of West African Textiles
The Relationship Between Wbl and Certificated Learning Within Higher Education Institutions: the Ghanaian Experience
Open AccessReview of effects of COVID-19 pandemic on the textile industry: challenges, material innovation and performance
Recycling Fabric Waste into Functional Interior Decoration Pieces
Open AccessThe Concept of Avant-Garde as a Creative Fashion Design Trajectory in Sekondi Takoradi - Ghana
Open AccessTextile Design and Product Innovations from Adinkra and Bogolanfini Ideographic Mergers
Open AccessTechnological Innovation: An Assessment of Operational Practices of Small and Medium Textile Enterprises in Ghana
Open AccessAvant-Garde Fashion Projects from Sekondi-Takoradi in Ghana
Open AccessSocio-Cultural Challenges of Small and Medium-Scale Batik and Tie-Dye Industry in Ghana
Open AccessMitigating Risks in Inappropriate Handling of Chemicals by Small-Scale Textile Producers in Sekondi-Takoradi, Ghana
Open AccessAesthetic and Philosophical Meanings of Indigenous Asante Kente
Open AccessExploration of Legal Remedies Available to Fashion Designers in Ghana Through Global Industry Practices: A Review
Open AccessThe Readiness of the Ghanaian Fashion Industry for the Absorption of Industry 4.0
Open AccessDigital Textile Printing: A New Alternative to Short-Run Textile Printing in Ghana
Open AccessFestival Elements: A Source of Inspiration for Contemporary Fashionable Products
Open AccessEnhancing the Creative Organisational Skills of Learners through Still Life Drawing
The Significance of Support- Fabrics in Apparel Production in Ghana
Open AccessExploring indigenous West African fabric fabric design in the context of contemporary global commercial production
Open AccessFrom Tradition to Innovation: Indigenous West African Textiles in Creative Interior Application
Open AccessDECODING THE SYMBOLISM OF BOGOLANFINI, KORHOGO AND FON FABRICS
Department of Industrial Art
Kwame Nkrumah University of Science and Technology