Charles Frimpong
Department of Industrial ArtSocial SciencesPhysical SciencesLife SciencesHealth Sciences

Charles Frimpong

42 Publications29 Research Themes18 Open Access
Research Overview & Focus

The researcher's work focuses on integrating advanced nanofiber technologies across diverse fields, particularly emphasizing bioluminescent nanofibers for biomedical applications and pigment synthesis properties. Their research extends to textiles, environmental education, biofuel production, and creative industries, while also contributing to sustainable practices in agriculture, energy management, and social sciences. The work highlights the interdisciplinary integration of nanotechnology into innovative solutions for biomedical health, environmental sustainability, and creativity, reflecting a comprehensive approach to advancing material science applications.

Faculty Biography

Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.Prof. Charles Frimpong (PhD) obtained a bachelor’s degree from the Industrial Art Department of the Kwame Nkrumah University of Science and Technology in 1991 with a specialization in Textiles and went on to pursue a post-graduate diploma in Art Education. He subsequently fulfilled a heartfelt dream of pursuing further studies in Textile Technology at the University of Ghent, Belgium, between 1994 and 1996 culminating in his involvement in preliminary studies on carpet performance; an EU sponsored project. His concentration was on Pile Yarn Related Influences on Carpet Resilience. He returned to Ghana in 1996 with a MSc. Textile Technology degree and started a career in teaching with KNUST. His area of specialization has been Fabric Construction, Dyes and Dyeing Technology and Textile Testing. His interest in local textile traditions led to his instrumental involvement in the introduction of “Kente” weaving on table looms in the second year of the Textiles programme. He has also led groups of MFA in Textile Design students, and cohorts of international students and professors to the three textile producing regions of Ghana on study tours of these three traditions. Prof. Frimpong has served on various committees at different levels of the University community and was awarded in 2002 for meritorious work in his role as the International programmes coordinator for College of Art and Social Sciences (CASS).He served as the Head of Department from August, 2011 to July, 2013 as a first term, and again from 2016 to 2018 in a second term. In 2019, he was elected Vice Dean of the Faculty of Art, and currently the Dean of the Faculty of Art. In 2005, he partnered a Kenyan consultant to undertake consultancy work for UNESCO on the conservation of traditional textiles. In 2010, he was awarded a PhD degree in Art Education after completing a research in developing “A User-Friendly Colour Matching System for Tie-dye/Batik producers”. The laboratory work for this study was wholly executed in the wet labs of the School of Textiles, NC State University during the summer of 2005. In November of 2011, he presented a paper extracted from his PhD research at the first Smartex International Conference in Kaferelsheikh, Egypt. He has since then published a number of articles in scholarly journals in the area of African textiles and fashion.In 2014, he was awarded with the ITAA Janet Else Visiting Scholar Award in Charlotte, North Carolina for his dedication and excellence in the teaching and training of students in the area of Textiles and Fashion.

Key Research Themes (29)
Social Sciences

Accounting and Organizational Management

Physical Sciences

Advanced Sensor and Energy Harvesting Materials

Life Sciences

Agricultural and Food Sciences

Physical Sciences

Agricultural Engineering and Mechanization

Life Sciences

Agricultural Innovations and Practices

Physical Sciences

Aquatic Ecosystems and Phytoplankton Dynamics

Social Sciences

Architecture, Art, Education

Physical Sciences

biodegradable polymer synthesis and properties

Physical Sciences

Biofuel production and bioconversion

Life Sciences

Chemical Synthesis and Analysis

Social Sciences

Color perception and design

Social Sciences

Crafts, Textile, and Design

Social Sciences

Creativity in Education and Neuroscience

Social Sciences

Cultural Industries and Urban Development

Health Sciences

Dental materials and restorations

Social Sciences

Education Systems and Policy

Physical Sciences

Electrospun Nanofibers in Biomedical Applications

Physical Sciences

Energy and Environment Impacts

Physical Sciences

Environmental Education and Sustainability

Social Sciences

Fashion and Cultural Textiles

Health Sciences

Food composition and properties

Social Sciences

Innovation and Socioeconomic Development

Life Sciences

Irrigation Practices and Water Management

Physical Sciences

Material Selection and Properties

Physical Sciences

MXene and MAX Phase Materials

Physical Sciences

Pigment Synthesis and Properties

Physical Sciences

Polymer Foaming and Composites

Physical Sciences

Textile materials and evaluations

Physical Sciences

Tribology and Wear Analysis

Publications (42)

Analysis of Internal Migration and Multidimensional Energy Poverty in Ghana

Open Access

Advancing Sustainable Soil Health Practices: Strategies for Quality and Global Competitiveness Among Cotton Farmers in Ghana

Open Access
2025Agricultural Innovations and PracticesDOI: 10.35738/ftr.v6.2024.22

Advances in Ti<sub>3</sub>C<sub>2</sub>T<sub>X</sub> MXene‐Integrated Conductive Textiles for Wearable Biomedical Sensors in Health Monitoring

2025MXene and MAX Phase MaterialsDOI: 10.1002/admt.202500008

Awareness and perceptions of sustainability and circular strategies among SME fashion producers in Ghana

2025Innovation and Socioeconomic DevelopmentDOI: 10.1504/ijewm.2025.146560

Influence of Core Build-Up Designs on Preventing Early Failure of Composite Resin Core in Molars Under Traction Forces: A Finite Element Analysis Study

Open Access
2024Dental materials and restorationsDOI: 10.1080/19424396.2024.2426250

Processing and Strength Characterisation of Banana Fibre Cordage

Open Access
2024Agricultural Engineering and MechanizationDOI: 10.26437/ajar.v10i1.746

Dabbing Technique as a Means of Acquiring Images for Hand-screen Printing

Open Access
2024Color perception and designDOI: 10.36868/ijcs.2024.02.04

The role of developing countries in the global fashion industry sustainability discourse: Ghana in perspective - A narrative review

Open Access
2024Innovation and Socioeconomic DevelopmentDOI: 10.22515/sustinere.jes.v8i1.357

Evaluation of Circular Srategies and their Effectiveness in Fashion SMEs in Ghana

Open Access
2024Fashion and Cultural TextilesDOI: 10.3197/jps.63799977346493

A Review of Sustainable Banana Fibre Production and Usage in West Africa

2024Irrigation Practices and Water ManagementDOI: 10.1007/978-3-031-65357-5_31

Evaluation of Edwuma Pa Fibre Extraction Machine for Sisal and Banana Leaves: A Sustainable Approach for Textile Applications

Open Access
2023Agricultural and Food SciencesDOI: 10.26437/ajar.v9i2.586

Examining the structure of the fashion industry in Ghana in ensuring the successful adoption of sustainable approach

Open Access
2023Innovation and Socioeconomic DevelopmentDOI: 10.22515/sustinere.jes.v7i2.304

The Influence of Change on Indigenous Strip-Woven Fabrics in Ghana

2023Architecture, Art, EducationDOI: 10.1177/00219096231176740

The implications of energy literacy on energy savings behavior: A model of contingent effects of energy value and attitude

Open Access
2023Environmental Education and SustainabilityDOI: 10.1016/j.egyr.2023.06.008

Polymer Nanocomposite Foams and Acoustics

2023Polymer Foaming and CompositesDOI: 10.1201/9781003218692-7

The Implications of Energy Literacy on Energy Savings Behaviour: A Model of Contingent Effects of Energy Value and Attitude

Open Access
2023Energy and Environment ImpactsDOI: 10.2139/ssrn.4347958

Awareness and perceptions of sustainability and circular strategies among SME fashion producers in Ghana

2023Innovation and Socioeconomic DevelopmentDOI: 10.1504/ijewm.2023.10061762

Tribology of hybrid nanofiller/polymer nanocomposites

2023Tribology and Wear AnalysisDOI: 10.1016/b978-0-323-90748-4.00008-x

Photocatalytic degradation of dyes by novel electrospun nanofibers: A review

2022Electrospun Nanofibers in Biomedical ApplicationsDOI: 10.1016/j.chemosphere.2022.137654

Theory, Modeling, and Simulation of MXene/Polymer Nanocomposites

2022MXene and MAX Phase MaterialsDOI: 10.1201/9781003164975-15

Environmental sustainability through recycled polythene textile art

2022Crafts, Textile, and DesignDOI: 10.1080/14702029.2022.2069918

An overview of the science and art of encapsulated pigments: Preparation, performance and application

2022Pigment Synthesis and PropertiesDOI: 10.1111/cote.12597

Harnessing Microalgae Biomass from Lake Taihu as a Natural Biocolorant Source for Sustainable Eco-Friendly Dyeing of Cotton with Ultrasonication

Open Access
2022Aquatic Ecosystems and Phytoplankton DynamicsDOI: 10.4236/jtst.2022.82009

A Comparative Study on the Techniques, Tools and Materials for Indigenous Weaving in Ghana

2021Crafts, Textile, and DesignDOI: 10.1080/14759756.2021.1989940

Culturally Influenced Garment Designs: Focused on Ga-Adangbe Cultural Elements in Ghana

2021Creativity in Education and NeuroscienceDOI: 10.1080/17569370.2021.1978164

The State of <i>Kete</i> Development in the Volta Region

2020Fashion and Cultural TextilesDOI: 10.1080/14759756.2020.1762274

Progress on the Fabrication of Smart Textiles Based on Soft Strain Sensors

2019Advanced Sensor and Energy Harvesting MaterialsDOI: 10.14504/ajr.6.6.1

Risk assessment of attitudes and practices of students and practitioners toward studio dyeing in Ghana

2019Color perception and designDOI: 10.1108/rjta-03-2019-0011

A Novel Approach to Unzipped Tubes Synthesis Using Sulfanilic Acid as the Backbone Amino Acid

2019Chemical Synthesis and AnalysisDOI: 10.4028/www.scientific.net/jnanor.57.17

A comparative study of knitted strain sensors fabricated with conductive composite and coated yarns

2019Advanced Sensor and Energy Harvesting MaterialsDOI: 10.1108/ijcst-07-2018-0087

Synthesis of highly stable bacterial cellulosic pocket for drug storage

2018biodegradable polymer synthesis and propertiesDOI: 10.1016/j.carbpol.2018.11.046

Phosphorylation and Octenylsuccinylation of Acid‐Thinned Starch for Enhancing Adhesion on Cotton/Polyester Blend Fibers at Varied Temperature Sizing

Open Access
2018Food composition and propertiesDOI: 10.1002/star.201800055

‘Classicon’: Innovative Design from Classical and Contemporary African Textile Print Design Concepts

Open Access
2018Fashion and Cultural TextilesDOI: 10.5614/j.vad.2018.10.1.2

Rice Bran, an Alternative Nitrogen Source for Acetobacter xylinum Bacterial Cellulose Synthesis

Open Access
2018Biofuel production and bioconversionDOI: 10.15376/biores.13.2.4346-4363

A Combined Material Substitution and Process Change Approach to Sustainable Batik Production

Open Access
2018Material Selection and PropertiesDOI: 10.32474/lttfd.2018.01.000104

A manual beaming device: an improved method for warp winding in broadloom weaving

Open Access
2017Textile materials and evaluationsDOI: 10.4314/ijah.v6i3.12

Campus Companies: Harnessing the Potential of Fashion and Textiles Production Units in Ghanaian Polytechnics for Income Generation

2015Education Systems and Policy

Adaptation of Traditional Symbols into Bridal Wear

Open Access
2014Fashion and Cultural Textiles

Enhancing the Value of Indigenous Pottery Products with Surface Decoration Methods & Macramé

2013Cultural Industries and Urban Development

A Comparative Study of History, Equipment, Materials, Techniques and Marketing Approach of Traditional Weaving in Ghana

2013Crafts, Textile, and Design

ASSESSING THE IMPACT OF INTERNAL CONTROL SYSTEMS ON GHANA POST KUMASI

2012Accounting and Organizational Management
Academic Metrics
DepartmentDepartment of Industrial Art
Total Publications42
Research Themes29
Open Access Papers18

Department of Industrial Art

Kwame Nkrumah University of Science and Technology

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